And in the modern day where instruments are often assembled with epoxy or urethane and dang near impossible to dis-assemble the instruments of old were, in large part, held together with old fashioned hide glue. As its name suggests, hide glue is obtained for processing animal hides (mostly) to get the collagen proteins removed. It hardens at room temperature and is often supplied in cans of granules. If kept dry it can last almost indefinitely and a properly glued joint can hold for a very long time. Think hundreds of years as in old antique furniture.
Instruments constructed with hide glue have a nifty little ability to be un-glued by the addition of heat. Once the glue reaches a critical temperature of 140-160F it will release and your part is now free. Old hide glue will stick to new hide glue as well (newer glues won't do that usually).
So what has this got to do with creativity?
Well let me tell you- knowing that at a certain temperature hide glue will release is one thing, getting a particular segment of hide glue to reach that temperature can be quite another. Case in point is this 1937-38 Supertone Lone ranger 3/4-scale guitar I have. It is in need of love and affection of the restorative manner so I pulled the back off of it (its a kid's guitar and I can't get my meaty man-hand into the sound hole) and needed to remove the mis-positioned lower braces. Coming from the heyday of hide glue construction meant I should just lay some heat onto it and they would pop right off. In theory.
Supertone Lone Range guitar with the back removed and needing the two braces on the (R) removed |
Creativity in the guitar shop.
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